Halloween proved extra frightening for Hollywood this year—at least financially. North American box office revenue for October 2025 is expected to total around $425 million, marking the industry’s worst October in 27 years, according to Comscore. The only exception remains October 2020, when pandemic restrictions held revenue to just $55 million.
The last time numbers were this bleak was October 1997,
when ticket sales hit $385.2 million (unadjusted for inflation). Since then,
October had grown into a reliable moneymaker—reaching a record $832.8
million in 2018 thanks to Venom, A Star Is Born, and Halloween—but
2025 reversed that momentum dramatically.
A Perfect Storm of Problems
Industry analysts cite a mix of factors for the steep
decline: lingering production delays from the labor strikes, a sluggish late
summer, and an overall shortage of compelling releases. Traditionally, October
has been a breather between the summer blockbuster season and the holiday
rush—but in recent years, it’s become a spot for high-profile launches and
Oscar hopefuls.
This year, however, few titles connected with audiences.
Disney’s long-awaited Tron: Ares led the month with just $63.4
million domestic, the weakest performance for an October opener (outside
the pandemic) since Wallace & Gromit: The Curse of the Were-Rabbit
in 2005.
Another major disappointment was Dwayne Johnson’s The
Smashing Machine, directed by Benny Safdie and distributed by A24. Despite
early awards buzz, the R-rated drama grossed only $11.4 million domestically
and $19.7 million worldwide—one of the lowest totals of Johnson’s
career.
A Few Unexpected Bright Spots
Without Taylor Swift’s surprise concert event The
Official Release Party of a Showgirl, the numbers would have been even
worse. The pop superstar’s film pulled in $34.2 million during its
opening weekend, easily outperforming The Smashing Machine. Anime also
delivered rare wins: Chainsaw Man: The Movie opened to a strong $18
million, outpacing Black Phone 2, while Demon Slayer: Infinity
continued to bring in steady returns.
Meanwhile, Disney’s Deliver Me From Nowhere, a Bruce
Springsteen biopic starring Jeremy Allen White, opened below expectations at $8.9
million domestically. And Warner Bros.’ Mortal Kombat II, once
slated for late October, was postponed to May 2026—leaving a gaping hole in the
release schedule.
Looking Ahead
Comscore analyst Paul Dergarabedian noted that
October’s collapse followed a weak August and September, leaving the fall movie
season without momentum. “Now all eyes are on early November releases like Predator:
Badlands and The Running Man to carry us into the holiday corridor,”
he said.
The hope is that Thanksgiving and Christmas blockbusters—Wicked:
For Good (Nov. 21), Zootopia 2 (Nov. 26), Avatar: Fire and Ash
(Dec. 19), and The SpongeBob Movie (Dec. 19)—will reignite audience
enthusiasm and keep 2025’s domestic total from falling below last year’s $8.9
billion.
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