Sunday, 12 October 2025

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‘Tron: Ares’ Glitches at Box Office With $33.5M U.S. Debut, Falling Short of Expectations

Disney’s Tron: Ares stumbled in its box office launch, grossing just $33.5 million domestically from over 4,000 theaters a disappointing start for a film that was once expected to reignite the decades-old sci-fi franchise. Unless word of mouth delivers a major boost, the weak debut could signal the end of Disney’s efforts to revive Tron, which began more than 40 years ago with the 1982 cult classic.

Jared Leto as Ares in Tron Ares

Internationally, Ares faced similar challenges, bringing in $27 million for a global total of $60.5 million. The movie rolled out in most territories except China, where it opens next weekend.

Heading into release, Tron: Ares had been projected to open between $40 million and $45 million, with some forecasts climbing as high as $50 million. The threequel carries a hefty $180 million production budget, excluding marketing costs. Directed by Joachim Rønning, the film stars Jared Leto as Ares, Greta Lee as ENCOM CEO Eve Kim, and Evan Peters as villain Julian Dillinger. The project was long shepherded by former Disney executive Sean Bailey during his tenure overseeing live-action films.

While critics have been lukewarm Ares holds a 57% score on Rotten Tomatoes audiences are proving more enthusiastic, awarding it an 87% audience score and four out of five stars on PostTrak.

Meanwhile, Miramax and Paramount’s romantic crime comedy Roofman starring Channing Tatum and Kirsten Dunst debuted to $8 million, meeting the low end of expectations. Directed by Derek Cianfrance, the modestly budgeted $19 million film had aimed to attract female audiences as counter-programming to Tron, though initial turnout has skewed male. Despite that, reviews have been strong, with an 85% critics’ rating and 84% audience score on Rotten Tomatoes. Both Tron and Roofman earned a B+ CinemaScore from moviegoers.

Based on a true story, Roofman follows an Army veteran who turns to robbing McDonald’s restaurants by cutting through their roofs earning his nickname before hiding out in a Toys “R” Us and falling in love.

Elsewhere, Sony’s faith-based drama Soul of Fire opened in sixth place with $3 million, but its low $3 million production cost and glowing A CinemaScore make it a low-risk venture. The film performed best in the American South and Midwest.

At the specialty box office, Amazon MGM’s After the Hunt a psychological thriller from Luca Guadagnino starring Julia Roberts, Ayo Edebiri, and Andrew Garfield had a strong limited debut, earning a $25,745 per-theater average across 17 locations. The film, about a sexual assault scandal shaking Yale’s philosophy department, features a score by Trent Reznor and Atticus Ross, who also composed for Tron: Ares under their Nine Inch Nails banner.

Among holdovers, Paul Thomas Anderson’s One Battle After Another, starring Leonardo DiCaprio, is projected to finish third with $6.8–$7 million, down 40% from last weekend. Despite its A+ CinemaScore, the awards hopeful has yet to gain major box office traction.

Conversely, Dwayne Johnson’s The Smashing Machine is collapsing in its sophomore weekend, plunging nearly 70% to $1.8 million, bringing its domestic total to $9.8 million after 10 days. The A24 film, directed by Benny Safdie, cost $50 million to produce and marked Johnson’s first serious awards bid, but audience turnout hasn’t matched early festival buzz.

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