Saturday, 11 October 2025

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‘Tron: Ares’ Stumbles in U.S. Debut With $35M–$37M Opening, Still Tops Box Office Weekend

 Disney’s Tron: Ares is facing a rocky start at the domestic box office. The high-profile reboot grossed $14.3 million on Friday, including $4.8 million from early previews, for a projected $35–$37 million opening weekend a figure that falls short of initial expectations.

(L-R) Greta Lee as Eve Kim, Jared Leto as Ares, and Arturo Castro as Seth Flores in Tron: Ares

Despite topping the weekend chart, the performance marks a noticeable dip from forecasts that once suggested a $40–$50 million debut. The film carries a hefty $180 million production budget, not including marketing costs, raising concerns about its long-term profitability.

The sci-fi threequel, directed by Joachim Rønning (Pirates of the Caribbean: Dead Men Tell No Tales), arrives 15 years after Tron: Legacy opened to $44 million. Jared Leto stars as the titular program Ares, alongside Greta Lee as ENCOM’s CEO Eve Kim and Evan Peters as villain Julian Dillinger. While critics have been lukewarm 57% on Rotten Tomatoes audiences appear more receptive, giving it an 86% score and a B+ CinemaScore.

‘Roofman’ Opens Soft but Earns Praise

Also opening this weekend is Miramax and Paramount’s crime-romantic caper Roofman, starring Channing Tatum and Kirsten Dunst. Directed by Derek Cianfrance, the film pulled in $3.3 million on Friday, including $1 million in previews, for an expected $8 million weekend on the lower end of forecasts.

Made for a modest $19 million, Roofman isn’t expected to post major losses. Critics have warmly received it (84% on Rotten Tomatoes) and audiences are similarly positive (88%), though the studio had hoped to attract more female moviegoers as counter-programming to the male-driven Tron release.

The film, based on a true story, follows a struggling Army veteran who becomes a serial McDonald’s roof burglar before hiding out in a Toys “R” Us until his double life unravels after falling in love.

Faith-Based ‘Soul of Fire’ Sparks in the Heartland

Sony’s Affirm Films released Soul of Fire, which earned $1.3 million Friday (including $575,000 in previews) and is on track for a $3 million debut. The inspirational drama scored an A CinemaScore and is performing best across the South and Midwest.

‘After the Hunt’ Shines in Limited Release

At the specialty box office, Amazon MGM Studios rolled out Luca Guadagnino’s psychological drama After the Hunt in 17 theaters, posting the weekend’s best per-theater average likely above $30,000. Starring Julia Roberts, Ayo Edebiri, Andrew Garfield, and Chloë Sevigny, the festival favorite explores a sexual assault scandal that fractures Yale’s philosophy department.

The film features a score by Trent Reznor and Atticus Ross, who also composed the music for Tron: Ares (credited as Nine Inch Nails on that project).

Holdovers: ‘One Battle After Another’ and ‘The Smashing Machine’

Among holdovers, Paul Thomas Anderson’s One Battle After Another, featuring Leonardo DiCaprio, is expected to land in third with $6.8–$7 million, down roughly 40% from last week. Despite strong word-of-mouth and an A+ CinemaScore, the awards hopeful hasn’t maintained the momentum some expected.

Meanwhile, Dwayne Johnson’s The Smashing Machine is losing steam fast. The A24 drama is projected to fall nearly 70% in its second frame, earning just $1.8 million for a 10-day total of $9.8 million. Despite strong reviews and a buzzy Venice Film Festival premiere, the $50 million indie biopic has struggled to connect with audiences.

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